Doubling Down: Thoughts on the Rock Hall Class of 2020

Wednesday morning, three months to the day after announcing the ballot, the Rock and Roll Hall of Fame revealed the inductees for its class of 2020: Depeche Mode, the Doobie Brothers, Whitney Houston, Nine Inch Nails, Notorious B.I.G., and T. Rex.

It’s been an odd year, with a ballot that somehow was so much less than the some of its parts. So it wasn’t to be expected that the class could improve on that. And it didn’t.

But it did pack a few, if not surprises, interesting points. First up, of course, the fan vote. We saw the omission of not just the Dave Matthews Band, who’ve now secured a place in rock history as the first winner to be shut out, but ALL BUT ONE of the top five. The top two didn’t make it. Take that, fans.

I was actually willing to double down on my prediction that DMB’s victory would get them over. A big part of that was forgetting what I learned from the Who Cares About the Rock Hall podcast about Depeche Mode’s ability to sell tickets.

Lord knows I’m not a fan of the swing to populism, but I’d accepted that induction for all the previous winners was the Hall’s way to dodge charges of elitism. Places 2-5 didn’t matter, but the winner was the token. It got bands in like Journey and Kiss who’d never gotten critical love. It was a bit of a deal with the devil, but when fans and performers alike complained that the public had no say, the Hall could point to that without ever stating outright that it was policy. Just ambiguous enough, and not dependent on votes. People kept saying DMB didn’t have the votes and I wondered why they thought that mattered. The Hall probably has more fiats than a Milanese car dealership.

The Hall wants eyeballs on its site to keep Klipsch happy, a sense of drama for the media outlets to pick up on (good or bad, doesn’t matter) and fan involvement, likely in that order, and it was a neat way to accomplish it all.

Even if the Hall doesn’t care much for good will, I didn’t think it would stomp all over what it got from the vote, what with turnstiles to keep turning at the Museum. Nope, they stomped. Stomped it real good. Clearly they’re doubling down on their core principle: they have the game ball, so we’ll all fall in line. All the DMB fans who are confused and angry now will be back next time. We’ll all forgive and forget, because we all want to root for something, to see our heroes honored and bask in the reflected glory. Don’t forget, three of the fan vote’s top seven made it.

So now the cat’s out of the proverbial bag. The winning act has racked up 1 million votes for nothing, and it’ll be fascinating to see what the vote totals look like next time around…if indeed there’s a fan vote as we know it.

In the biggest instance of doubling down, the ballot had all of three women, one of whom is deceased. This in spite of being taken to task in the media for the second straight season and called out from the stage earlier this year by their own inductee. I wish I could say it was a surprise. And of those three, only one makes it, and she can’t vote. You think back to 2018 and you just have to shake your head. Pat Benatar, who came in second place in the fan vote, led it for the first two weeks, and was thought to be a lock by most Hall watchers, didn’t make the cut. A huge and unpleasant surprise.

But is it really? There was noticeable apathy – and in some cases antipathy- to Benatar from the voters that Joe and Kristin spoke to on “Who Cares..,”, including Amy Linden and Edna Gunderson. I never saw ecstatic endorsements in the media leading up to the announcement, either. Whether we think it’s accurate or not (I don’t), maybe Steve Erlewine summed up how she’s perceived in the industry: “A workaday rocker who had a good moment.” Now, the Doobie Brothers, hey, they’re innovators who moved the needle on rock and pop as we know it today.

The Hall is trying to tell us that having three women — the same number as last year — is some kind of breakthrough. It wants us to believe that the process is based solely on merit, and the fact that women make up only 7.7% of the inductee rolls is an accurate representation of the quality of their contributions to modern popular music. Breathtaking.

This ish isn’t going to stop. It’s not going to because as things currently stand, there’s no incentive for it to. There’s no penalty, no consequence for it, and that’s what a meaningful change is going to take. Right now there’s nothing to impact the bottom line and grab the old boys by the…attention span.

The Hall knows this. Again, game ball. It calls the shots, and it knows we, the general public, have no real power. There isn’t a sponsor structure that we can lean on. We aren’t a cohesive unit who’ll get on board with any sort of boycott of either the ceremony or the museum. Steve Miller said something about it in 2016 but by that point he’d cemented his “crazy grandpa” status and helped make his own induction a sideshow. Other nominees (or potential ones) haven’t made it a talking point, including Benatar and Khan that I’m aware of.

Inductees can’t be expected to boycott their big night, but could they make a statement? Could a campaign convince them to? Not likely. Would it have any effect if artists refused to make appearances at the museum? To not do book signings, jam in The Garage or take the tours and do the grip-and-grins that the Hall loves to post on social media? Would an “open letter to the Board” statement from living inductees have an effect? Not much. What about the bands that play the Plaza for the summer concert series? Even if it meant anything, is it fair to ask them to forego a check and the exposure? No.

A neat and easy way for the Hall to make even symbolic amends would be to use its power to award one of its discretionary awards — the Ahmet Ertegun Award for Musical Excellence or the Early Influence or Musical Excellence categories to a deserving woman or women. Like the Performer Category, there’s no shortage. Instead, it doubles down and presents two old white men from its own board of directors (Jon Landau and Irving Azoff, manager of the aforementioned Doobie Brothers) with the Ertegun award. Again, just breathtaking.

Maybe this is the old boys’ last hurrah before the new guy comes in and makes them be all like, inclusive and stuff, but how many changes can we realistically expect, and how long will they take? And even though he’s a guy, how much pushback will he get?

(And off topic, but did y’all notice in the statement the Grammys made about the outster of CEO Deborah Dugan that she’d been put on leave because “a formal allegation of misconduct [was made against her] by a senior female [staff] member?” (Italics mine). Nope, we’re not saying anything because we’re dudes; see, we found a woman to do it. The Academy says she’s a bully; she says she found corporate misconduct. But wonder of wonders, she has gotten advertiser support).

And as predicted by just about everybody, the hard rock/heavy metal acts canceled each other out and come up empty again. It’s hard to disagree with Eric and Mary of the Hall Watchers podcast that this was on purpose. The Hall views the nomination as the award. Next year belongs to the Foos, and the Hall could very well go with Iron Maiden if they opt to try this again, so unfortunately Judas Priest may be on the shelf for a while. A crime, as are the omissions, again, of Kraftwerk and in my eyes, Todd Rundgren.

So now we await the announcement of who the presenters and tribute performers will be. And beyond that, the direction the Hall takes as the new era begins. The Hall promises changes to this year’s ceremony, and those may give us some clues to its priorities going forward. One thing’s for sure: Change is needed on a massive scale; the system is beyond broken. John Sykes has a big job ahead.

6 thoughts on “Doubling Down: Thoughts on the Rock Hall Class of 2020

  1. Michelle,

    Out of the nominees who didn’t get in this year, who do you think have the best chances at induction next year for 2021?.

    Like

  2. The RRHOF is well on their way to irrelevancy. By snubbing the fan vote, the voting committee have clearly signaled that the music fans don’t matter at all.

    The problem with the RRHOF is that the decisions are entirely subjective. The RRHOF only has the opinion of their voters to make the decision on who is and who isn’t worthy to be inducted. It’s pretty clear that the RRHOF voters think they know better than the music fans, and if that isn’t elitist then I don’t know what is.

    I have no problem with Whitney and Notorious BIG getting into the HOF, but given this year’s fan vote snubbing, I have to wonder whether I’ll ever see music acts that I do think belong in the HOF ever get inducted like Judas Priest, Iron Maiden, Motley Crue, Megadeth, the Go-Go’s, George Michael, Duran Duran and even the Spice Girls (newly eligible, I believe, next year). All those acts made the cardinal sin of being popular and, in some of those cases, making the wrong type of music (metal).

    If the RRHOF were serious about fixing the problem – they could up the numbers of inductees to ten, five being chosen the current way and the other five by the music fans. The music fans could have their Journey’s, their Motley Crue’s and their Duran Duran’s while the voting committee could bring in their MC5’s and Rufus’ that will never likely win a fan vote.

    Of course, that idea will never happen. But after spending an inordinate amount of time the last few weeks voting for Judas Priest in the fan vote, I have to wonder whether it’s worth bothering to do that all over again next year, since apparently my opinion (and, indeed, every fan’s opinion) means nothing at all.

    Liked by 1 person

  3. Michelle,

    Which Classic Rock acts, Which 80’s New Wave/Alternative acts and Which 90’s Alternative acts do you see being nominated for 2021?.

    Like

  4. Michelle,

    AlexVoltaire said on his blog about Rock Hall inductions in the next seven years (2021-2027) and his hope/outline/best plausible scenario/outcome for the next seven years is:

    In the Year 2021:

    Duran Duran
    Foo Fighters
    The Go-Go’s
    Jay-Z
    Jethro Tull
    Dolly Parton

    Early Influence

    Big Mama Thornton

    Musical Excellence

    Carol Kaye and Glen Campbell

    In the Year 2022:

    Pat Benatar
    Cher
    Eminem
    Eurythmics
    OutKast
    Warren Zevon

    Non-Performer

    Bernie Taupin

    Musical Excellence

    Willie Nelson

    In the Year 2023:

    The B-52’s
    Mariah Carey
    Dave Matthews Band
    Devo
    LL Cool J
    Weezer

    Non-Performer

    Jane Scott

    Musical Excellence

    The Revolution

    In the Year 2024:

    Coldplay
    The Commodores
    Destiny’s Child
    Judas Priest
    The Monkees
    Oasis

    Non-Performer

    Bob Geldof

    Musical Excellence

    Todd Rundgren

    In the Year 2025:

    Jimmy Buffett
    Cyndi Lauper
    Rage Against The Machine
    The Smiths
    Soundgarden
    The Spinners

    Non-Performer

    Don Cornelius

    Musical Excellence

    The Wailers

    In the Year 2026:

    Beck
    Foreigner
    Queen Latifah
    Motley Crue
    Smashing Pumpkins
    “Weird Al” Yankovic

    Influence

    Kraftwerk

    Musical Excellence

    Chaka Khan

    In the Year 2027:

    Nick Cave & The Bad Seeds
    Phil Collins
    Missy Eillott
    Gloria Estefan
    No Doubt
    The White Stripes

    Early Influence

    Patsy Cline

    Non-Performer

    Robert Moog

    What do you think?.

    Like

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